Hans Gindlesberger’s work covers a broad range of photographic thinking and making. While remaining uncommitted to a singular approach or aesthetic, his practice is anchored to an ongoing interest in places, whether real, manufactured, or imaginary, and in playful subversions of the photographic process. After residing throughout the American Midwest, he is currently based in upstate New York where he heads the photography program at Binghamton University.

His projects, spanning photography, video, installation, and new media, have been exhibited at Galleri Image (Aarhus, Denmark), Gallery 44 (Toronto), the Mt. Rokko International Photography Festival (Kobe, Japan), the Voies Off Festival (Arles, France), the Flash Forward traveling exhibition, and FILE Media Art (São Paulo, Brazil). He has lectured nationally and internationally at venues including the International Festival of Photography in Belo Horizonte, Brazil, Central Saint Martins, University of the Arts in London, and numerous universities throughout the United States. Recently, his work has been published in BLOW Photography Magazine, Diffusion, LensCulture, AintBad, and the Flash Forward Tenth anthology, published by the Magenta Foundation.