In her tender portrayal of desert life in Arizona, Andrea Koester records her evolving relationship to the people, plants and animals that make up its rich ecosystem.

In a search for a past left largely unphotographed, Patricia Howard looks to land, material, and process, creating a body of work shaped as much by what is missing as what remains.

In a series of cinematic images made with her aging father and young son, Anastasia Sierra creates a space for the conflicting emotions and different phases of motherhood.

A collection of photographs taken over the course of four decades bears witness to the enduring intimacy of family life and the tenderness of Emmet Gowin’s photographic gaze.

Turning his attention to the largest living organism in the world, Jonah Reenders’ poetic exploration of a 10,000-year-old fungus raises questions about our connection to a shifting natural world.

Accompanying a group of shepherds on their annual migration, Maurice Wolf captures an ancient tradition in contemporary Georgia, known as transhumance, that takes place through the mountains of Tusheti.

Sibusiso Bheka’s images convey the complex reality of belonging to the post-apartheid generation — and the weight of history — in Thokoza, a township south of Johannesburg that he calls home.

A new expanded edition of Lars Tunbjörk’s iconic photobook offers a biting take on the boredom, chaos and high-stress of corporate office culture.

Returning to one of her first projects, Janet Delaney presents a witty, warm-hearted look at labor and love, through the last days of her father’s career as a salesman.

Shortlisted for the “Storm” cycle of the Prix Pictet, Camille Seaman reflects on chasing supercells and icebergs, and the power of photography, as she documents fleeting reality.